Wednesday 28 July 2021

Landscape or portrait? Views of Stanwick Lakes

 Mobile phone cameras have given us two viewpoints we have become used to; the slim portrait and the letterbox landscape. Each provides a viewpoint that draws the eye differently. Slimline portraits give a top to bottom view that works especially well with open air shots. The eye can follow down from the sky or up from the gound, taking in the different layers or levels of the picture, like this: 


In this image, looking from bottom to top, the fringe of reeds gives way to blue water, with a pattern of clearly delineated ripples, stretching away to the far bank. Above the trees a clear blue sky gradually deepens in shade away from the horizon. This viewpoint provides a sliver of the landscape emphasising the depth of the scene. 

The same view taken in letter-box landscape style has a different feel: 


Here, the eye is drawn primarily to the ripples on the water. The far bank clearly divides land and sky, with the latter showing much less shade variation. The shadows on the water combine with the ripples to give a sense of a breeze blowing, something you cannot capture directly. This picture gives you a sense of width rather than depth, showing the expanse of water at the expense of the sky, keeping you eye earthbound. 

Each style of picture can be effective, but as you can see, they do achieve different results. It is one way the photographer imposes their decision-making on the viewer, deciding what to show and what to exclude. This is a neutral subject, there is nothing lurking to one side or up in the air. Applied to other circumstances, a street protest for example, the decisions might not be so innocent. In this case though, you can enjoy the view without worrying too much about the photographers intentions (my intentions, of course, since I took the photographs). 

So the question is: which do you prefer? feel free to comment. 

Wednesday 21 July 2021

Kew Gardens: Bird of Paradise (Strelitzia)

 In the tropical house at Kew there are plants from around the world grown from seeds brought back from remote locations by enterprising botanists; many of whom would give Indiana Jones a run for his money in the derring-do stakes. Among these, the Bird of Paradise plant gets plenty of attention. So called because the flower heads resemble those of birds, Strelitzia Reginae were first seen at Kew as far back as 1773. Joseph Banks, the pioneering botanist, described the plant in its natural habitat in South Africa. 

On our visit at the end of May there was a fine display of flowers in the Tropical House, pictures of which are shown below: 





The stories behind the plants at Kew are as interesting as those behind objects in the British Museum. There is light and shade to be found in them, but, in the case of Kew, the potential exists to send seeds and plants back to their place of origin. Kew is a safety deposit box for many plant species around the world and has the potential to become even more important in the future. In the meantime, these flowers can delight the eye and engage the mind. 

Follow the links below for my other Kew Posts:

The Water Lily House at Kew

The Hive at Kew Gardens

Vistas at Kew

Tuesday 20 July 2021

Kew Gardens: The Waterlily House

 One of the striking sights at Kew (among many) are the giant lilies in the Waterlily house. There are lilies on an outside pond there too: 


But the lilies in the Waterlily House are of a different scale altogether. Growing in a circular indoor pond, they are feet across, with raised rims like giant dinner plates. Amongst these Brobdingnagian leaves, flowers bloom, in a rich, humid and tropical atmosphere that adds to the overall effect of being inside a fairy story. Discovered in Bolivia in 1801, these Victoria Cruziana have been a source of wonder to successive generations of visitors. Here in their UK home they are free to attain their full size and to flower. 





Follow the links for my other Kew posts:

Strelitzia plants

Vistas at Kew

The Hive at Kew

Kew Gardens: The Hive

 


I realised a long-held ambition recently by visiting Kew Gardens. We gave ourselves the whole day there, being onsite from 11.00 to nearly 6.00 pm; but still realised there is too much for one visit. Too much for one blog too; I am going to post separate articles for various aspects of Kew. This first is about the feature that really grabbed when I saw it and even more so once we walked inside it: The Hive. Created by Wolfgang Buttress for the Milan Expo in 2015, the Hive is, as the Kew website explains: 

'a visual tribute to Britain's honeybees' 

It has 170,000 parts and includes 1,000 LED lights. I am always attracted by Art that builds up from simple items to make a complex whole, whether it is Anthony Gormley's field (36,000 clay figurines laid out together at the Tate Back in 2004) or Bridget Riley's deceptive repeated lines. The Hive is a great example of this, with the struts and joins re-creating the shape of a beehive within it's cube:


When we look at bees, we feel a connection. They exist in a society where the individual performs a role, they demonstrate that they can learn and communicate what they have learned to each other, and they create architecture. Bees symbolise work and industry and, after the Manchester bombing, they became a powerful symbol of togetherness. The honeycomb structure is one humans have borrowed, as well as the hive shape. In Greece, the Bronze age societies there used the hive shape to create stunning tombs. In the present day, we are (belatedly) beginning to realise how important they are to our own survival through the role they play in plant pollination. 

As well as the lights, the Hive at Kew uses sound to create an effect, a constant humming in the register of C which provides the other sensory cue that reminds us of bees:

The Hive at Kew

The video provides a much better sense of the overall effect than my photographs; but I did manage one that gives that architectural impression. This was taken looking straight up and is an artwork in itself I feel: 


Follow the links for my other Kew posts: 

Strelitzia plants

The Water Lily House at Kew

Vistas at Kew

Kew Gardens: Vistas

 Kew was created by the coming together under one ownership of two adjoining parcels of land. This is what provides the sense of space and allows the visitor to enjoy not just the various Greenhouses and architecture such as the Pagoda, but to stroll through forest landscapes. Within this Silvan creation, there are stands of trees from many different regions of the globe. Importantly, careful planting and management has created over the years a series of striking vistas; open spaces framed by trees, giving the viewer perspective laden views in several directions. 

I was particularly taken with these; they are more natural versions of those you see on country estates, leading the eye to the Great House down avenues of single species plantings. I present here a selection of those that caught my eye: 







Follow the links for my other Kew Posts: